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By Mary Celeste Kearney. New York: Oxford University Press, 2017. 363 pp. ISBN 9780190688660. Along with Kearney's attention to the roles and repre-sentations of race in rock history and culture, this is an aspect of the book that ensures its significant contribution to the body of works concerned with music


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Gender and Rock. Mary Celeste Kearney. Oxford University Press, Jul 13, 2017 - Music - 256 pages. The first book of its kind, Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, lyrics, imagery, performances, instruments, and business practices. Additionally, it explores how rock.


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Kearney, Mary Celeste, 1962- editor. Contents/Summary Bibliography Includes bibliographical references and index. Contents Foreword - Michele Hilmes Introduction, or How to Cook an Artichoke -Mary Celeste Kearney PART I PRIMARY METHODS 1 Ideology - Ron Becker 2 Discourse - Rosalind Gill 3 Narrative - Jason Mittell


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Michael Kackman, Mary Celeste Kearney Routledge, Jun 22, 2018 - Performing Arts - 370 pages With contributions from 30 leading media scholars, this collection provides a comprehensive overview of.


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Mary Celeste Kearney is Associate Professor of Film, Television, and Theatre and Concurrent Faculty in American Studies and Gender Studies at the University of Notre Dame. Her research to date has focused primarily on girls' media culture. She is author of GIRLS MAKE MEDIA (Routledge, 2006) and GENDER AND ROCK (Oxford, 2017)..


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5 CrossRef citations to date 0 Altmetric Commentary Mapping New Methodological Approaches to Girls' Media Studies: Reflections from the Field Jessalynn Keller , Morgan Blue , Mary Celeste Kearney , Kirsten Pike & Sarah Projansky Pages 528-535 | Published online: 16 Oct 2015 Download citation https://doi.org/10.1080/17482798.2015.1091103


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Apr 5, 2021 Mary Celeste Kearney. Courtesy University of Notre Dame. Mary Celeste Kearney is the Director of Gender Studies and Associate Professor of Film, Television, Theatre at the University of Notre Dame.


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Mary Celeste Kearney Department of Film, Television, & Theatre, University of Notre Dame Verified email at nd.edu media studies gender studies girls' studies ‪Department of Film, Television, &.


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Girls Make Media explores how young female media producers have reclaimed and reconfigured girlhood as a site for radical social, cultural, and political agency. Central to the book is an analysis of Riot Grrrl--a 1990s feminist youth movement from a fusion of punk rock and gender theory-and the girl power movement it inspired.


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1st Edition Girls Make Media By Mary Celeste Kearney Copyright 2006 400 Pages by Routledge Description More girls are producing media today than at any other point in U.S. history, and they are creating media texts in virtually every format currently possible--magazines, films, musical recordings, and websites.


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Celeste Kearney, Mary. "16. Orange Is the New Black : Intersectional Analysis" In How to Watch Television, Second Edition edited by Ethan Thompson and Jason Mittell, 153-162.


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Biography Professor Kearney's research focuses primarily on gender, youth, and media culture. She is currently completing research for her second monograph on the first wave of U.S. teen-girl media for the University of Texas Press. She is also editing the second edition of The Craft of Criticism with Michael Kackman.


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Mary Celeste Kearney - Concurrent Faculty, American Studies - University of Notre Dame | LinkedIn Mary Celeste Kearney Associate Professor, Film, Television, & Theatre at University of Notre.


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Mary Celeste Kearney is Associate Professor of Film, Television, and Theatre, as well as Concurrent Faculty in Gender Studies and American Studies. Her research and teaching focus primarily on gender, youth, and media culture.


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Mary Celeste Kearney is an associate professor of film, television, and theatre and concurrent faculty in the gender studies program at the University of Not.


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Mary Celeste Kearney About seven years ago, Mary Celeste Kearney began noticing how much "sparkle" had become part of girls' culture—in makeup and clothing, as well as in girl-oriented media. She began compiling a "taxonomy of sparkle" in contemporary films and TV series to explore its sociocultural significance.

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